Album cover of 'Philippine Treasures Vol. 2' by Angelo Favis, featuring classical guitar renditions of traditional Philippine compositions
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Philippine Treasures Vol. 2

World · 11 tracks · VG1006

Angelo Favis returns with the second volume of Philippine guitar arrangements — works by Abelardo, Buencamino, and others.

Traditional
  1. 01 Ti Ayat Ti Meysa Nga Ubing  
Nicanor Abelardo
  1. 02 Nasaan Ka Irog  
Traditional
  1. 03 Kundiman 1800  
Miguel Velarde, Jr.
  1. 04 Dahil Sa Iyo  
Traditional
  1. 05 Walay Angay  
Nicanor Abelardo
  1. 06 Cavatina  
Francisco Santiago
  1. 07 Anak Ng Dalita  
Juanito Gonzales Angus
  1. 08 Usahay  
Constancio de Guzman
  1. 09 Babalik Ka Rin  
Josefino Cenizal
  1. 10 Hindi Kita Malimot  
Bayani Mendoza de Leon
  1. 11 Variations on Lulay  

Angelo Favis is a Filipino classical guitarist who has built a distinguished career as a performer, recording artist, and educator. He earned his Bachelor of Music and Master of Music degrees in Guitar Performance from the San Francisco Conservatory of Music, where he studied under Lawrence Ferrara and David Tanenbaum, and completed his Doctor of Musical Arts at the Manhattan School of Music under Nicholas Goluses and David Starobin. He currently serves as Professor of Guitar at Illinois State University.

An active performer of solo and chamber music, Favis has given recitals throughout the United States and internationally, and has appeared as a featured soloist with both the Saigon Philharmonic Orchestra and the Philippine Philharmonic Orchestra. He has served as an adjudicator in several competitions and has given master classes at the University of the Philippines, Roosevelt University, Mahidol University in Bangkok, and the Ho Chi Minh City Conservatory of Music in Vietnam.

Philippine Treasures Vol. 2 continues the project Favis began with Volume 1, bringing the rich heritage of Filipino folk songs and serenades to a universal audience through soulful classical guitar interpretations. The album features beloved Filipino compositions by master composers including Nicanor Abelardo, Francisco Santiago, and Bayani Mendoza de Leon, alongside traditional songs that form the bedrock of Philippine musical culture. These 19th- and early 20th-century melodies represent the roots of contemporary Filipino music, and in Favis's hands they are revealed as works of genuine depth and beauty, deserving of a place in the international classical guitar repertoire.