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Live Oak Baroque Orchestra - Concertos for Winter

Elizabeth Blumenstock - Widely admired as a Baroque violinist of expressive eloquence and technical sparkle, Elizabeth Blumenstock is a long-time concertmaster, soloist, and leader with the Bay Area's American Bach Soloists and Philharmonia Baroque Orchestra, and is concertmaster of the International Handel Festival in Goettingen, Germany. In Southern California, Ms. Blumenstock is Music Director of the Corona del Mar Baroque Music Festival. Her love of chamber music has involved her in several accomplished and interesting smaller ensembles including Musica Pacifica, Galax Quartet, Ensemble Mirable, Live Oak Baroque, the Arcadian Academy, and Trio Galanterie. An enthusiastic teacher, Ms. Blumenstock teaches at the San Francisco Conservatory of Music, the American Bach Soloists' summer Festival and Academy, and the International Baroque Institute at Longy. Ms. Blumenstock plays a 1660 Andrea Guarneri violin built in Cremona, Italy, on generous loan to her from the Philharmonia Baroque Period Instrument Trust.

Tyler Lewis received his B.A. from the San Francisco Conservatory of Music while under the instruction of Bettina Mussumeli. Specializing in baroque music, Tyler has appeared in groups such as Philharmonia Baroque Orchestra, American Bach Soloists, LOBO, Santa Rosa Symphony, Marin Symphony, San Francisco Chamber Orchestra, and has performed at Festival Del Sole in the Napa Valley and St. Paul International Chamber Music Festival. Tyler Lewis has appeared in master classes with Robert Mann, James Greening-Valenzuela, Zaven Melikian and has had solo appearances with Contra Costa Wind Symphony. During the spring, Tyler is an evaluator for the Music Teachers Association of California’s merit program and runs a year round private violin studio located in Santa Rosa, California. With his spare time he enjoys nights under the stars with a telescope, practicing the art of Lapidary, cooking, and racing motorcycles.

Maria Caswell studied violin & Historically Informed Performance at New England Conservatory in Boston, Massachusetts. She is a founding member of Philharmonia Baroque Orchestra. In addition to Philharmonia, Maria has performed with American Bach Soloists, Jubilate, Santa Rosa Symphony, & Magnificat, among others. She is a member of VOT (Very Old Time) Music, a quintet based in Sebastopol, California. In addition she is is an active violin & viola teacher. She lives near the tiny hamlet of Occidental in Sonoma County with her family, two cats, a goat with a Facebook page, & her beloved teapot.

Mary Springfels is former Musician-in-Residence at the Newberry Library where she founded and directed the Newberry Consort. A veteran of the early music movement, she has performed and recorded with such ensembles as the NY Pro Musica, the Waverly Consort, Concert Royal, Sequentia, Philharmonia Baroque Orchestra, the Seattle Baroque Orchestra, Music of the Baroque, Musica Sacra, the Marlborough Festival, the NYC Opera, and Chicago Opera Theater where she also serves as an artistic advisor. She served as a Senior Lecturer at both the University of Chicago and Northwestern University and is much in demand as a teacher and player in summer festivals throughout the US, among them the San Francisco, Madison, and Amherst Early Music Festivals, and the Conclave of the Viola da Gamba Society of America. In 2004 she delivered the keynote address to the Berkeley Festival and Exhibition for Early Music America. She can be heard on over two dozen recordings, ten of which are critically acclaimed Newberry Consort projects

Phebe Craig - Harpsichordist Phebe Craig spent her student years in Berlin, Brussels, and San Francisco. She has earned a reputation as a versatile chamber musician and recitalist and has performed and recorded with many early music ensembles and soloists. She has appeared at the Carmel Bach Festival, the Regensburg Tage Alter Musik, and early music festivals and events throughout the United States. She has performed with the New York State Baroque, American Bach Soloists, Arcangeli Baroque Strings, and Concerto Amabile. Phebe has produced a series of early music play-along CDs and is co-author of a guide to Baroque dance for musicians (Dance at a Glance). She is on the faculty at the University of California at Davis where she teaches harpsichord and co-directs the UCD Baroque Ensemble, in addition to keyboard proficiency, theory, and ear-training. She has also been director of the Baroque Music and Dance Workshop that is sponsored by the San Francisco Early Music Society.

William Skeen plays principal cello in Philharmonia Baroque Orchestra, American Bach Soloists, Portland Baroque Orchestra, Musica Angelica, Pacific Music Works in Seattle, Pacific Baroque Orchestra in Vancouver, and the Bach Collegium of San Diego. In addition to performing with almost every baroque orchestra on the west coast, he is Associate Principal cellist and Viola da Gamba soloist with the Carmel Bach Festival. Mr. Skeen is a sought-after chamber musician. He co-founded the New Esterhazy Quartet, La Monica, and is a member of the 54th Annual Grammy-nominated ensemble, El Mundo. He has performed with the National Symphony of Mexico, the LA Philharmonic, and the Dallas Symphony, and often tours the Americas with Musica Angelica, the Wiener Akademie of Vienna, and actor John Malkovich.

Mr. Skeen is Adjunct Professor of Baroque Cello and Viola da Gamba at The University of Southern California, founder and co-director of the SFEMS Classical Workshop, and is on the faculty of the American Bach Soloists ACADEMY, and the SFEMS Baroque Workshop. William holds a Bachelor of Music degree from the Cleveland Institute of Music, working with Alan Harris, and a Master of Music degree from U.S.C., studying with Ronald Leonard.

Aaron Westman is in demand as both a period violinist and violist.  He has performed as a soloist and chamber musician with Agave Baroque, American Bach Soloists, El Mundo, Ensemble Mirable, Live Oak Baroque Orchestra, Musica Pacifica, Seicento String Band, Seraphic Fire, and The Vivaldi Project.  As a principal player, Aaron works with ABS, Berkeley West Edge Opera, Bach Collegium San Diego, Los Angeles Master Chorale, Musica Angelica, Magnificat, New Hampshire Music Festival, and Pacific Bach Project, and he also performs regularly with Orchester Wiener Akademie and PhilHarmonia Baroque Orchestra.

Aaron co-directs the award winning chamber ensembles Agave Baroque and Live Oak Baroque Orchestra.  He has recorded for Hollywood, and on the Dorian/Sono Luminus, VGo Recordings, NCA, and Philharmonia Baroque Productions labels, as well as live on KPFK (Los Angeles), WDAV (North Carolina), BBC, ORF (Austria), and as a soloist on NPR’s Harmonia and Performance Today radio programs.  Aaron tours extensively worldwide, including with two projects starring the actor John Malkovich.

Aaron holds a Master of Music from the Indiana University School of Music, where he double-majored in viola performance and early music.  His teachers included Stanley Ritchie, Alan de Veritch, Theodore Arm, and Geraldine Walther.  For three years, Aaron taught baroque strings at CalArts, near Los Angeles.  He is currently Music Director of the Santa Rosa Symphony’s Young People’s Chamber Orchestra.