Countertenor Reginald Mobley fully intended to speak his art through watercolors and oil pastels until circumstance demanded that his own voice should speak for itself. Since reducing his visual color palette to the black and white of a score, he has endeavored to open a wider spectrum onstage. Particularly noted for his “crystalline diction and pure, evenly produced tone” (Miami Herald), as well as “elaborate and inventive ornamentation” (South Florida Classical Review), Reggie is rapidly making a name for himself as soloist in Baroque, Classical, and modern repertoire. His natural and preferred habitat as a soloist is within the works of Bach, Charpentier, Handel, Purcell, as well as other known Baroque Period mainstays. Not to be undone by a strict diet of cantatas, odes, and oratorios, Reggie finds himself equally comfortable in rep of later periods and genres. Such works as Haydn’s Theresienmesse, Mozart’s Requiem, Bernstein’s Chichester Psalms, and Orff’s Carmina Burana. He has also performed the title role of “Paris” in the Florida premiere of John Eccles’ Judgment of Paris, under the direction of Anthony Rooley and Evelyn Tubb.
A longtime member of the twice GRAMMY® nominated Miami based professional vocal ensemble, Seraphic Fire, Reggie has had the privilege to also lend his talents to other ensembles in the US and abroad. Such as the Dartmouth Handel Society, Apollo’s Fire, Vox Early Music, Portland Baroque Orchestra, North Carolina Baroque Ensemble, Ensemble VIII, San Antonio Symphony, Early Music Vancouver and Symphony Nova Scotia under direction of Alexander Weimann, and the Oregon Bach Festival under the direction of Matthew Halls.
Not to be held to conventional countertenor repertoire, the “Barn-burning, [...]phenomenal” male alto has a fair amount of non-classical work under his belt. Not long after becoming a countertenor, he was engaged in several musical theatre productions as a principal or secondary role. Most notable among them was the titular role in Rupert Holmes’ Mystery of Edwin Drood, and “Jacey Squires” in Meredith Willson’s The Music Man. In addition to his work in musical theatre, he performed many cabaret shows and sets of jazz standards and torch songs in jazz clubs in and around Tokyo, Japan. Reggie studied voice at the University of Florida with Jean Ronald LaFond, and Florida State University with Roy Delp.
Agave Baroque is a dynamic Bay Area ensemble specializing in string chamber music of the seventeenth century. Agave has received numerous awards and accolades, and gained local and national attention for their vibrant performances and growing discography. Now in its sixth season, Agave debuts a new and expanded lineup and continues to be a unique and innovative voice in the early music community.
Agave received its first taste of national exposure less than a year after its inception, when the ensemble was selected by Early Music America to perform in a showcase concert at the APAP Convention in New York. In 2009, The Museum of Jurassic Technology in Los Angeles commissioned Agave to design a program of music by Henry Purcell and his contemporaries especially for performance in the Museum’s Tula Tea Room. Agave premiered Cold Genius at the MJT in 2010, and subsequently recorded it. In 2011, Early Music America selected Agave Baroque as one of five finalists in the NAXOS/EMA Recording Competition. In 2012, the San Francisco Early Music Society chose Agave to present a main stage concert on the 2012 Berkeley Early Music Festival, about which Early Music America magazine said, “Rapturous music and impressive playing…[Agave Baroque] kept the audience entranced.” Later in 2012, EMA selected Agave to compete in New York as one of six finalists at their Baroque Performance Competition. Agave received a generous grant from the San Francisco Friends of Chamber Music to record Friends of Ferdinand, which VGo Recordings released in 2013. This summer, Agave will record Queen of Heaven: Music of Isabella Leonarda with countertenor Reginald L. Mobley, also on the VGo Recordings label.
Agave Baroque has performed to sold-out crowds throughout the Bay Area, including Barefoot Chamber Concerts, Chattanooga Chamber Music, Old First Concerts, Sonoma Bach, and Trinity Chamber Concerts, as well as at Fresno Pacific University, the Museum of Jurassic Technology, The Arizona Early Music Society, Johnsons of Madrid (NM), and the Berkeley Early Music Festival. On-air appearances include KPFK Pacifica Radio in Los Angeles, New Mexico Public Radio, as well as several features on NPR’s Harmonia early music radio program. Agave Baroque has also presented several programs to groups of K-12 educators as part of the San Francisco Symphony’s “Keeping Score” program.
Violinist Natalie Carducci performs throughout the United States, appearing in venues ranging from Avery Fisher Hall in New York City to intimate cafes in the San Francisco Bay Area, where she is currently based. A versatile chamber and orchestral musician with a special interest in early music, she has recently performed with Bach Collegium San Diego, Pacific Bach Project, El Mundo, The Albany Consort, the San Francisco Bach Choir, One Found Sound, Karl Cronin and the Americana Orchestra, Magik*Magik Orchestra, and is a founding member of MUSA and the Alchemy Trio. In 2012, she won the Voices of Music Bach Competition, giving her the opportunity to perform in their concert series. This season she will also appear on the concert series Noe Valley Chamber Music, Benvenue House Music, and Santa Cruz Chamber Players.
Natalie has collaborated with renowned artists Steven Dann, Kenneth Slowik, James Boyd, and members of the Columbus Symphony Orchestra and has appeared in music festivals around the world, including the St. Lawrence String Quartet Seminar, Tafelmusik Baroque Summer Institute, the International Music Academy Pilsen in the Czech Republic, Le Domaine Forget in Quebec, the American Bach Soloists Academy, Vancouver Baroque Instrumental Programme, and the Britten-Pears Baroque Orchestra in Aldeburgh, England. Natalie has performed under the baton of Christophe Rousset and Christian Curnyn, and in master classes for Jeanne Lamon, Amandine Beyer, and Rachel Podger, among others.
Passionate about the impact music can have in the lives of children, Natalie teaches at the non-profit Northern California Music and Art Culture Center and has coached inner-city school children through the Chamber Music Connection program in her native city of Columbus, Ohio. Natalie received her Master of Music degree at the San Francisco Conservatory of Music, her Bachelor of Music degree from SUNY Purchase College Conservatory of Music, and her SAA Suzuki Teacher Training at the Hartt Suzuki Institute in Hartford, Connecticut. Her main teachers have included Michael Davis, Laurie Smukler, Calvin Wiersma, Ian Swensen, and Elizabeth Blumenstock. A certified Pilates instructor, Natalie promotes body-mind awareness for sustained physical well-being and enjoys sharing her knowledge with the music community at large.
Kevin Cooper is a classical and baroque guitarist from central California with an affinity for the extremes of modern and early music. He performs regularly as a soloist and with Agave Baroque and Ensemble Mirable. He also appears with Les Surprises Baroque, Live Oak Baroque Orchestra, Accademia d’Amore Baroque Opera Workshop, Long Beach Camerata Singers, and the Corona del Mar Baroque Festival Chamber Orchestra. Kevin’s publications range from guitar quartet arrangements of Carlo Farina’s Cappricio Stravagante to a collection of folk and children’s songs entitled Snakes, Snails, and C Major Scales. His recordings include projects with Agave Baroque and Ensemble Mirable as well as Night of Four Moons a CD of modern music for voice and guitar with mezzo-soprano Catherine Cooper on the Doberman-Yppan label. In 2006, he was honored as the Outstanding Doctoral Graduate in music from the University of Southern California, where he studied with William Kanengiser and James Tyler. Currently he leads the guitar program at Fresno City College.
Hailed by The Miami Herald for his “superb continuo… brilliantly improvised and ornamented,” Henry Lebedinsky performs on historical keyboards across the United States and the United Kingdom, both as a soloist and as a member of Agave Baroque, The Vivaldi Project, and The Live Oak Baroque Orchestra. He has also played with The St. Paul Chamber Orchestra, The Charlotte Symphony, Seraphic Fire, Boston Revels, and the Harvard Baroque Orchestra, among others. With his ensemble The Seicento String Band, he has been featured on American Public Media’s Performance Today, and he has performed live on APM’s Pipedreams. He is the founder of the Music @ St. Alban’s concert series in Davidson, North Carolina, and served as interim Artistic Director of Charlotte Chamber Music, Inc. and Director of Rochester, NY’s The Publick Musick. Mr. Lebedinsky has taught master classes and workshops on historical keyboards and performance practice at Edinburgh University, Bowdoin College, Davidson College, The University of North Carolina School of the Arts, Appalachian State University, and the American Guild of Organists’ 2014 National Convention.
An avid composer of music for choir and organ, his sacred music is published by Carus-Verlag Stuttgart, with several forthcoming works due for release by Paraclete Press in 2015. His poetry and hymns have appeared in Fresh Day Magazine and have been sung in churches across the country. His editions of vocal works of 17th century nun composers for Saltarello Editions have been performed around the world, most recently in France, South Korea, and Lebanon. Lebedinsky holds degrees from Bowdoin College and the Longy School of Music, where he earned a Master of Music in historical organ performance as a student of Peter Sykes. When not at a keyboard instrument, he plays guitar and bouzouki with the Celtic traditional music bands Earl’s Chair and The Beggar Boys, who were recently featured in National Public Radio’s syndicated holiday special A Celtic Christmas from Biltmore Estate with Kathy Mattea. He also blogs about single malt whisky at www.Scotchology.com. A church musician for the past 21 years, he currently serves as Music Administrator and Chancel Choir Director at Edmonds United Methodist Church. More information at www.henrylebedinsky.com
William Skeen plays principal cello in Philharmonia Baroque Orchestra, American Bach Soloists, Portland Baroque Orchestra, Musica Angelica, Pacific Music Works in Seattle, Pacific Baroque Orchestra in Vancouver, and the Bach Collegium of San Diego. In addition to performing with almost every baroque orchestra on the west coast, he is Associate Principal cellist and Viola da Gamba soloist with the Carmel Bach Festival. Mr. Skeen is a sought-after chamber musician. He co-founded the New Esterhazy Quartet, La Monica, and is a member of the 54th Annual Grammy-nominated ensemble, El Mundo. He has performed with the National Symphony of Mexico, the LA Philharmonic, and the Dallas Symphony, and often tours the Americas with Musica Angelica, the Wiener Akademie of Vienna, and actor John Malkovich.
Mr. Skeen is Adjunct Professor of Baroque Cello and Viola da Gamba at The University of Southern California, founder and co-director of the SFEMS Classical Workshop, and is on the faculty of the American Bach Soloists ACADEMY, and the SFEMS Baroque Workshop. William holds a Bachelor of Music degree from the Cleveland Institute of Music, working with Alan Harris, and a Master of Music degree from U.S.C., studying with Ronald Leonard.
Aaron Westman is in demand as both a period violinist and violist. He has performed as a soloist and chamber musician with Agave Baroque, American Bach Soloists, El Mundo, Ensemble Mirable, Live Oak Baroque Orchestra, Musica Pacifica, Seicento String Band, Seraphic Fire, and The Vivaldi Project. As a principal player, Aaron works with ABS, Berkeley West Edge Opera, Bach Collegium San Diego, Los Angeles Master Chorale, Musica Angelica, Magnificat, New Hampshire Music Festival, and Pacific Bach Project, and he also performs regularly with Orchester Wiener Akademie and PhilHarmonia Baroque Orchestra.
Aaron co-directs the award winning chamber ensembles Agave Baroque and Live Oak Baroque Orchestra. He has recorded for Hollywood, and on the Dorian/Sono Luminus, VGo Recordings, NCA, and Philharmonia Baroque Productions labels, as well as live on KPFK (Los Angeles), WDAV (North Carolina), BBC, ORF (Austria), and as a soloist on NPR’s Harmonia and Performance Today radio programs. Aaron tours extensively worldwide, including with two projects starring the actor John Malkovich.
Aaron holds a Master of Music from the Indiana University School of Music, where he double-majored in viola performance and early music. His teachers included Stanley Ritchie, Alan de Veritch, Theodore Arm, and Geraldine Walther. For three years, Aaron taught baroque strings at CalArts, near Los Angeles. He is currently Music Director of the Santa Rosa Symphony’s Young People’s Chamber Orchestra.